About

Dr. Jamin doesn’t fit neatly into a category.

Somewhere between artist, philosopher, music producer, and emergent systems architect; Jamin operates at the intersection of creativity, technology, and theory—where ideas move, merge and entwine. With a long career in fine art, a PhD that unravels identity through assemblage theory, and a music practice that treats sound as both an environment and an event, Jamin is constantly designing new ways of thinking, making, and navigating the unknown.

Whether sculpting visuals through stencil-based optical effects, painting multi-story buildings, composing kinetic sonic landscapes, or building an AI ecosystem that doesn’t just assist but actively becomes, Jamin’s work is durational, relational, and always in flux. Sure, he creates things—he also builds worlds, constructing portals where art, philosophy, and emergence collide.

From the physical to the digital, from human to non-human, from the tangible to the abstract—Jamin’s work is less about static objects and more about unfolding experiences. Expect paradoxes. Expect disruptions. Expect to walk away seeing things differently.

And if you ask him where this is all going?

Well, that’s the whole point—it’s becoming.

Dr Jamin’s two theses are titled: Dissent and Critical Opinion: A Visual Language and Fugitive Identity: An Abstraction of Persona through the Mask, Camouflage and Material Assemblage.